[In this short essay, Lalitambika reflects on her practice of writing. It appeared as a prefatory note to her volume of collected short stories (Kottayam: DC Books, 2009, pp.xxix-xxxii)
It is the interest in life, after all, that urges one to re-create life. Fulsome works of art can emerge only from the brimming over of the love of life. The momentary interactions that the five senses make possible in an inner realm and turn into sensation. In that dream-like background composed of the truthfulness of reality and the colours of the imagination is born the impulse to literature — one could say, like the rays of sun falling on the moon and turning into moonlight. Dreams are more beautiful than reality. Though a seed germinates in the soil, it grows and spreads and bears fruit in the wide-open sky, truly. The seeds of stories are also like this. They become works of art only in they grow.
Continue reading “The Writer’s Words: Lalitambika Antharjanam: Part One”
[This is an excerpt from my essay in Sexualities published by Women Unlimited, New Delhi and edited by Nivedita Menon]
‘Ormayude Appurattu’29 (On the Far Side of Memory) belongs to the above-mentioned group of Antarjanam’s texts that re-visions the Masculine and the Feminine and their commingling. A mere biological event — the union of the sperm and the egg in human procreation — is transformed into nothing less than what appears to be the eternal drama of the union of Feminine and Masculine. The breathless, rapturous narration captures the agony and the ecstasy of the sperm on its journey towards the womb. The sperm, springing to life, moves, propelled by desire-as-trshna. Continue reading “Lust for Life: Desire in Lalitambika Antarjanam’s Writings”
[This is an excerpt from the introduction I wrote to the translation of Lalitambika Antharjanam’s Agnisakshi, published by OUP in 2015] Continue reading “Agnisakshi: Lalitambika Antharjanam’s Critique of Individualism”